Tuesday, 5 August 2014

Best Ever Natural Wallpaper 2014 Pics Images Photos Pictures

Best Ever Natural Wallpaper 2014 Pics Images Photos Pictures

Source (Google.com)
For most of its history wallpaper has been the poor relation of the decorative arts: because it is fragile, ephemeral, and easy to replace it has often disappeared from the historical record. The history of wallpaper has been based largely on those pieces which have passed into archives and museum collections, supplemented by those papers that survive in historic buildings, and those represented in pictorial records of interiors.
Wallpaper has generally been thought of as background rather than foreground (with some notable exceptions such as Chinese papers and the early 19th-century French scenic decorations). Nevertheless, its role in the overall decorative scheme is a vital one, and the choice of wallpaper affects the mood and style of a room, and may influence the choice of other furnishings. The wallpaper itself may be indicative of the function of a room, and will often reflect the age, status or gender of its inhabitants or habitual occupants. William Morris recognised the importance of wallpaper when he advised in one of his lectures;
'Whatever you have in your rooms think first of the walls for they are that which makes your house and home, and if you do not make some sacrifices in their favour you will find your chambers have a kind of makeshift, lodging-house look about them…'
Yet divergent opinions about wallpaper were apparent from the beginning. Some considered it to be attractive, clean and durable, whereas others regretted that the fashion for wallpaper had supplanted other methods of wall-decoration. This widespread and continuing ambivalence towards wallpaper can, to a large extent, be attributed to wallpaper’s essentially imitative character. It is almost always designed to look like something else – tapestry, velvet, chintz, silk drapery, linen, wood, masonry, a mural. For much of its history wallpaper has appeared (at least at first sight) to be something other than merely printed paper, and as an affordable substitute for more costly materials it has never quite thrown off the taint that comes from being a cheap imitation.

Best Ever Natural Wallpaper 2014 Pics Images Photos Pictures

Best Ever Natural Wallpaper 2014 Pics Images Photos Pictures



Best Ever Natural Wallpaper 2014 Pics Images Photos Pictures


Best Ever Natural Wallpaper 2014 Pics Images Photos Pictures



Best Ever Natural Wallpaper 2014 Pics Images Photos Pictures


Best Ever Natural Wallpaper 2014 Pics Images Photos Pictures


Best Ever Natural Wallpaper 2014 Pics Images Photos Pictures


Best Ever Natural Wallpaper 2014 Pics Images Photos Pictures


Best Ever Natural Wallpaper 2014 Pics Images Photos Pictures


Best Ever Natural Wallpaper 2014 Pics Images Photos Pictures



Wallpaper About Nature 2014 Pics Images Photos Pictures

Wallpaper About Nature 2014 Pics Images Photos Pictures
Source (Google.com)
For most of its history wallpaper has been the poor relation of the decorative arts: because it is fragile, ephemeral, and easy to replace it has often disappeared from the historical record. The history of wallpaper has been based largely on those pieces which have passed into archives and museum collections, supplemented by those papers that survive in historic buildings, and those represented in pictorial records of interiors.
Wallpaper has generally been thought of as background rather than foreground (with some notable exceptions such as Chinese papers and the early 19th-century French scenic decorations). Nevertheless, its role in the overall decorative scheme is a vital one, and the choice of wallpaper affects the mood and style of a room, and may influence the choice of other furnishings. The wallpaper itself may be indicative of the function of a room, and will often reflect the age, status or gender of its inhabitants or habitual occupants. William Morris recognised the importance of wallpaper when he advised in one of his lectures;
'Whatever you have in your rooms think first of the walls for they are that which makes your house and home, and if you do not make some sacrifices in their favour you will find your chambers have a kind of makeshift, lodging-house look about them…'
Yet divergent opinions about wallpaper were apparent from the beginning. Some considered it to be attractive, clean and durable, whereas others regretted that the fashion for wallpaper had supplanted other methods of wall-decoration. This widespread and continuing ambivalence towards wallpaper can, to a large extent, be attributed to wallpaper’s essentially imitative character. It is almost always designed to look like something else – tapestry, velvet, chintz, silk drapery, linen, wood, masonry, a mural. For much of its history wallpaper has appeared (at least at first sight) to be something other than merely printed paper, and as an affordable substitute for more costly materials it has never quite thrown off the taint that comes from being a cheap imitation.
Wallpaper About Nature 2014 Pics Images Photos Pictures

Wallpaper About Nature 2014 Pics Images Photos Pictures

Wallpaper About Nature 2014 Pics Images Photos Pictures

Wallpaper About Nature 2014 Pics Images Photos Pictures

Wallpaper About Nature 2014 Pics Images Photos Pictures

Wallpaper About Nature 2014 Pics Images Photos Pictures

Wallpaper About Nature 2014 Pics Images Photos Pictures

Wallpaper About Nature 2014 Pics Images Photos Pictures

Wallpaper About Nature 2014 Pics Images Photos Pictures

Wallpaper About Sorry 2014 Pics Images Photos Pictures

Wallpaper About Sorry 2014 Pics Images Photos Pictures

Source (Google.com)
For most of its history wallpaper has been the poor relation of the decorative arts: because it is fragile, ephemeral, and easy to replace it has often disappeared from the historical record. The history of wallpaper has been based largely on those pieces which have passed into archives and museum collections, supplemented by those papers that survive in historic buildings, and those represented in pictorial records of interiors.
Wallpaper has generally been thought of as background rather than foreground (with some notable exceptions such as Chinese papers and the early 19th-century French scenic decorations). Nevertheless, its role in the overall decorative scheme is a vital one, and the choice of wallpaper affects the mood and style of a room, and may influence the choice of other furnishings. The wallpaper itself may be indicative of the function of a room, and will often reflect the age, status or gender of its inhabitants or habitual occupants. William Morris recognised the importance of wallpaper when he advised in one of his lectures;
'Whatever you have in your rooms think first of the walls for they are that which makes your house and home, and if you do not make some sacrifices in their favour you will find your chambers have a kind of makeshift, lodging-house look about them…'
Yet divergent opinions about wallpaper were apparent from the beginning. Some considered it to be attractive, clean and durable, whereas others regretted that the fashion for wallpaper had supplanted other methods of wall-decoration. This widespread and continuing ambivalence towards wallpaper can, to a large extent, be attributed to wallpaper’s essentially imitative character. It is almost always designed to look like something else – tapestry, velvet, chintz, silk drapery, linen, wood, masonry, a mural. For much of its history wallpaper has appeared (at least at first sight) to be something other than merely printed paper, and as an affordable substitute for more costly materials it has never quite thrown off the taint that comes from being a cheap imitation.

Wallpaper About Sorry 2014 Pics Images Photos Pictures


Wallpaper About Sorry 2014 Pics Images Photos Pictures


Wallpaper About Sorry 2014 Pics Images Photos Pictures


Wallpaper About Sorry 2014 Pics Images Photos Pictures


Wallpaper About Sorry 2014 Pics Images Photos Pictures


Wallpaper About Sorry 2014 Pics Images Photos Pictures


Wallpaper About Sorry 2014 Pics Images Photos Pictures


Wallpaper About Sorry 2014 Pics Images Photos Pictures


Wallpaper About Sorry 2014 Pics Images Photos Pictures



Sorry Wallpaper 2014 Pics Images Photos Pictures

Sorry Wallpaper 2014 Pics Images Photos Pictures

Source (Google.com)
For most of its history wallpaper has been the poor relation of the decorative arts: because it is fragile, ephemeral, and easy to replace it has often disappeared from the historical record. The history of wallpaper has been based largely on those pieces which have passed into archives and museum collections, supplemented by those papers that survive in historic buildings, and those represented in pictorial records of interiors.
Wallpaper has generally been thought of as background rather than foreground (with some notable exceptions such as Chinese papers and the early 19th-century French scenic decorations). Nevertheless, its role in the overall decorative scheme is a vital one, and the choice of wallpaper affects the mood and style of a room, and may influence the choice of other furnishings. The wallpaper itself may be indicative of the function of a room, and will often reflect the age, status or gender of its inhabitants or habitual occupants. William Morris recognised the importance of wallpaper when he advised in one of his lectures;
'Whatever you have in your rooms think first of the walls for they are that which makes your house and home, and if you do not make some sacrifices in their favour you will find your chambers have a kind of makeshift, lodging-house look about them…'
Yet divergent opinions about wallpaper were apparent from the beginning. Some considered it to be attractive, clean and durable, whereas others regretted that the fashion for wallpaper had supplanted other methods of wall-decoration. This widespread and continuing ambivalence towards wallpaper can, to a large extent, be attributed to wallpaper’s essentially imitative character. It is almost always designed to look like something else – tapestry, velvet, chintz, silk drapery, linen, wood, masonry, a mural. For much of its history wallpaper has appeared (at least at first sight) to be something other than merely printed paper, and as an affordable substitute for more costly materials it has never quite thrown off the taint that comes from being a cheap imitation.

Sorry Wallpaper 2014 Pics Images Photos Pictures

Sorry Wallpaper 2014 Pics Images Photos Pictures

Sorry Wallpaper 2014 Pics Images Photos Pictures
Sorry Wallpaper 2014 Pics Images Photos Pictures

Sorry Wallpaper 2014 Pics Images Photos Pictures

Sorry Wallpaper 2014 Pics Images Photos Pictures

Sorry Wallpaper 2014 Pics Images Photos Pictures

Sorry Wallpaper 2014 Pics Images Photos Pictures

Sorry Wallpaper 2014 Pics Images Photos Pictures

Saturday, 31 May 2014

Islamic Walpaper 2014 Pics Photos Images Pictures Sms


Islamic Wallpaper History
source(Google.com)
Many people have many reasons for having Islamic wallpapers, some like to have it so that it reminds them of their Creator, some because they love Islam so much that everything of theirs is related to it. But I think many of my friends like to have it because it just simply looks beautiful for me that is the best reason, even more now because these 3D Islamic Wallpapers are the most beautiful :-)
As you will see these have an excellent mixture of colours in HD quality and it does look and feel like as if it is about to come out of your desktop screen and best of all, it is absolutely free to download.
These are background wallpapers that have verses of the Quran, name of the Prophet Muhammed (saw) and other abstract designs on it so you won’t get bored of looking at it. Incase you want something different you may like these Islamic 2013 calendars which can also be used as desktop backgrounds.
Just incase you didn’t know how to change your desktop wallpaper on your PC, follow the instructions below. It’s very easy to do.

 

Eid Walpaper 2014 Pics Photos Images Pictures Sms





Eid Walpaper Biography



Source(google.com)
According to the Islamic tradition, it was in the year 610 A.D. that Prophet Muhammad, while meditating in Mount Hira one night during the month of Ramadan, had a vision of the angel Jibril (also known as Gabriel) appearing before him telling his name to Muhammad and declaring to the latter that he was the messenger of God. Jibril said to him : "Iqraa" (meaning "read" or "recite").
To this Muhammad replied that he could not read.
Jibril embraced Muhammad and after releasing him repeated: "Iqraa."
"I cannot read." Muhammad answered again.
Jibril hugged Muhammad for a third time and asked him to recite what he said. He told him:
"Recite in the name of your Lord Who creates.
Creates man from a clot.
Recite: And your Lord is the Most Bountiful
Who teaches by the pen,
He teaches man what he does not know."
Though the angel informed him that he was the messenger of Allah and was going to be a prophet for his people, Muhammad was greatly disturbed at his meeting with Jibril. It is believed that he at first considered the angel as an evil spirit. It was his wife Khadijah who allayed his fears reminding him of his good conduct until then and that it was impossible for him to be visited by a demon. Even her much learned old cousin Waraqa ibn Nawfal convinced him that he was indeed a messenger of God and the angel who visited Muhammad was the one who had also visited the Hebrew prophet Moses.
Muhammad was of forty years of age at this time.
In the following twenty-three years, Muhammad was visited many times by Jibril who taught him the holy knowledge in verses. This sacred knowledge consists of the code of conduct that Allah wants his people to maintain on earth. It is inscribed in verses which are compiled in the holy Qur'an, the most sacred book in Islam.
It is said that the sacred knowledge was revealed to Muhammad during the month of Ramadan. As a mark of respect to Allah and to show gratitude to him for the true knowledge that he gifted to his sons and daughters, the prophet asked his followers (and therefore the followers of Islam) to pass the month of Ramadan in fasting, prayers and other austerities and end the month-long non-indulgence with festive celebrations. This is how Eid-Ul-Fitr was born. This three-day long celebration ends the ninth month and begins the tenth month of Shawwal with absolute happiness and contentment for the ability to sacrifice for Allah. The aim of this festival is to promote peace, strengthen the feeling of brotherhood and bring oneself back to the normal course of life after a month-long period of self-denial and religious devotion.
 Eid Walpaper 2014 Pics Photos Images Pictures Sms
 Eid Walpaper 2014 Pics Photos Images Pictures Sms
 Eid Walpaper 2014 Pics Photos Images Pictures Sms
 Eid Walpaper 2014 Pics Photos Images Pictures Sms
 Eid Walpaper 2014 Pics Photos Images Pictures Sms
 Eid Walpaper 2014 Pics Photos Images Pictures Sms
 Eid Walpaper 2014 Pics Photos Images Pictures Sms
 Eid Walpaper 2014 Pics Photos Images Pictures Sms
 Eid Walpaper 2014 Pics Photos Images Pictures Sms